     |
  |
  |
| Collection Spotlight Twelve -armed Avalokiteshvara (Vietnam: Quan-am)
Avalokiteshvara, the bodhisattva of compassion, is visualized in a variety of ways across Asia. In this manifestation he is depicted with twelve arms, representing his capacity to help all beings using various methods. Bodhisattvas are enlightened beings who remain in the material world to help others seek enlightenment. In Vietnam, as in other Buddhist cultures, Avalokiteshvara is a popular figure of worship and is often referred to in the feminine as the Goddess of Mercy. This Avalokiteshvara is depicted in male form with his principal hands in anjalimudra, a gesture of prayer or greeting, while the hands in his lap are in dhyanamudra, a gesture of meditation. The other arms hold symbolic objects such as a“wish-granting jewel” that grants all desires, and a rope that hooks the soul to the Buddhist law. This figure might have at one time been on view in a temple as an object of veneration and worship. This figure is on view now in our Southeast Asian Gallery. Melody Rod-ari,
Spring 2008 PAM
Goryeo Celadon The Millennium Face Celadon was introduced to Korea from China around the 9th century during the Unified Shilla dynasty (668–935 AD) and flourished during the Goryeo dynasty (918–1392 AD). By the 12th century Goryeo potters achieved a distinctive blue-green hue and inlaid technique called sanggam, which resulted in subtle, but alluring, white and black designs after firing. The Millennium Face provides the American audience with a rare opportunity to view beautiful Goryeo celadon as well as experience the techniques involved. Pacific Asia Museum is the exhibit’s only West Coast venue. A workshop demonstrating the production of celadon will be held on This exhibition is organized by the city of Gangjin and Gangjin Celadon Museum, Korea and is co-sponsored by Korean Cultural Center in Los Angeles.
Previous Collection Spotlights
|
